ARTS COME ALIVE IN SAN FRANCISCO  BAY AREA!
                          Classical Music, Books, Theater, Dance
            The life of a zine is about a minute
                                                        ---San Francisco Chronicle headline.
            But clearly, they weren't talking about the arts-review 'zine artsSF.com!

            Welcome to the launching of the  FIFTEENTH good-luck season underway at www.artssf.com, the independent, non-commercial observer-critic of the arts, your best source in the San Francisco Bay Area for reviews.
            With weekly reviews on WHAT'S NEW on the arts scene: Modern music (non-commercial), premieres, theater reviews, dance, rarities, and new-book reviews involving Northern California authors or themes. At times, even a review or two from far-off lands. Also some  reports from the major symphonic, chamber and operatic concerts, all emphasizing new or modern creativity.
            Read the reviews first on artssf.com. Reports are compiled by veteran Bay Area critics Paul Hertelendy, D. Rane Danubian, Carol Benet, V.I. Hambleton, J. Charles, Georgia Rowe, Alix Schwartz, Karl Toepfer et al in a vast (?) staff of  a good (very good!) six-to-seven collaborators. Then there's our secret-weapon time machine: roving critic Steven Emanuel, who scouts theater, thespians, books  and other themes in varied bailiwicks, anticipating hits that may land in Northern California before long. .
         The 13th season had again featured more than 100 reviews in toto from the above contributors---122, to be exact. The Greater S.F. Bay Area remains a bellwether in new works and modern approaches, as stimulating as ever, fed by an audience thirsty for the fresh, novel and profound. Most reviews appear within 24 hours after a performance..
       CURRENT REVIEWS and news follow, starting with the most recent:
  -- (BALLET) The Smuin Ballet showcases visceral modern works by Pickett and Moultrie while stumbling on Smuin.
  -- (ON THE PODIUM) Swinging the stick isn't so easy: Conductors are hobbled by ailments, too.
  -- (BALLET) Madness, sexuality, and stunning statuary in Eifman Ballet's "Rodin."
  -- (DANCE)The Wheeldon "Cinderella" is a colossal spectacle for young and old, worthy of annual revival.
  -- (SYMPHONY) S.F. Symphony reviewing Beethoven, also in context of John Adams' new "Absolute Jest."

  -- (DANCE) Funk comes resonantly to life as David Dorfman plays Pied Piper to the young dance fans.
       Earlier  reviews include::         
  -- (DANCE) Bassist Edgar Meyer is all over the stage, live, in Lines Ballet's new feast for the eyes "Meyer."
  -- (THEATER) ACT's docu-drama musical "Stuck Elevator," making 71 minutes seems like 81 hours.
  -- (BALLET) The fiery passions of Hell, the white of the Heavens: The S.F. Ballet offers each. Take your pick! 
  -- (BALLET) A modern treatment of Ibsen scores in S.F. Ballet's 19th-century inspirations.
  -- (THEATER) Love gone awry in the play 'Reasons to Be Pretty.'
  -- (OPERA) Some day, there'll be a great opera on the post-impressionist painter Paul Gauguin. But not this one!
  -- (MUSIC) New Century's strings light up the night with Chausson, Golijov, Mozart.
  -- (NEW MUSIC) S.F. Contemporary Music Players delve into earnest academic complexities.
  -- (SYMPHONY) Steven Stucky's sensitive new song cycle on Milosz poems premiered by Berkeley Symphony, alongside Bruckner.
  -- (SYMPHONY, DANCE) Unusual troika collaborations in symphony and dance. How effective are they?
  -- (BALLET) The Cranko 'Onegin' from Pushkin draws audience raves at the S.F. Ballet's revival.
  -- (THEATER) San Francisco's tiny Custom Made company scores with Ruhl's "Eurydice."
  -- (THEATER) The Callas of international journalism returns to life in "Fallaci," at BRT.
  -- (SYMPHONY) Marin County has a jewel in its midst, with the Symphony playing Kernis, Mozart and the 'Eroica.'
  -- (THEATER) You're embarrassed you laughed---'Dead Metaphor' is so uproariously un-PC.
  -- (SYMPHONY) New young stars on the rise---pianist Yuja Wang, and composer Samuel Adams.
  -- (CHAMBER MUSIC) In Berkeley, the Lee Trio unveils a new Rosenthal suite, and a less familiar Janacek.
  -- (RECITAL) Violinist Anne-Sophie Mutter could fill volumes on intelligent programming, exuberant play.
  -- (OPERA) 'The Secret Garden,' so elusive in so many dramatizations, fares no better as a family opera.
  -- (BALLET) S.F. Ballet sitting on top of the world with Wheeldon, Ratmansky opuses.
  -- (BALLET) The "Rite of Spring" centennial, with a rousing new Possokhov version. At the S.F. Ballet.
  -- (STRING QUARTET) Escher players in San Jose with Beethoven hit some highs.
  -- (STRING QUARTET) Kronos Quartet back home with new premieres, and a memorable Stookey opus.
  -- (RECITAL) Violinist Hilary Hahn  innovates, with a dozen new encore pieces peppering her program.
  -- (SYMPHONY) The triumph of a puckish Lynn Harrell in a modern cello concerto in Berkeley.
  -- (HALL ACOUSTICS) Acoustics changeable at will in experiment demonstrated at Stanford's new Bing Hall.
  -- (THEATER) Guirgis' play with the unprintable title scores big at SF Playhouse
  -- (THEATER) In a Magic misfire, playwright Octavio Solis shows he is all too human.
  -- (BALLET) Between the dated French confection and the avant-garde, Jerome Robbins stands out at the SFB.
  -- (BALLET) The Joffrey Ballet, bigger than ever, back at Berkeley with a new persona.
  -- (THEATER) "4,000 Miles," a masterful play out of New York, at ACT San Francisco.
  -- (DANCE) Company  C Ballet glows in the suburbs with three new works.
  -- (THEATER) Silliness, hilarity reign at teenagers' adventure "Troublemaker:" at Berkeley Rep.
  -- (SYMPHONY-THEATER) Various perspectives of 'Peer Gynt,' in San Francisco Symphony's robust co-staging.

  -- (NEW CONCERT HALL) Long overdue, Stanford Univ. now has the Bing Concert Hall, a superlative facility.
  -- (SYMPHONY) 70% of a world premiere is better than none, linking Holloway, Debussy, the SFS, and soprano Renee Fleming.
  -- (CHAMBER ORCHESTRA) The San Jose ensemble has it, in spades, this time with Heisinger, Harrison.
  -- (YEAR'S BEST, MUSIC) The cream of the crop in 2012 Bay Area concerts. with many novelties.
  -- (YEAR'S BEST, DANCE) The San Francisco Ballet remains the master of the hall in 2012---always on its toes. 
  -- (CHORUS) Chanticleer, vocal masters of the classical Christmas, goes outside the envelope to many lands and centuries.  
  -- (SYMPHONY) Berkeley Symphony spotlights a precocious composer of tone poems, Dylan Mattingly, 21. 
 
  -- (SYMPHONY) The mythical Pandora unleashed, in a vigorous, down-to-earth  new symphonic work by Mark Volkert.
  -- (BALLET) Different "Draculas" played by companies on both coasts.And they're not exactly bite-sized!
  -- (DANCE) Garrett-Moulton's dance theater piece "Angles of Enchantment" is packing 'em in.
  -- (BALLET) Doldrums in the suburbs? Credit Diablo Ballet for shaking things up.
  -- (THEATER) Berkeley Rep's long-awaited "White Snake"---Zimmerman's latest---scores as a visual treat.
  -- (THEATER) Magic Theatre takes up the fractured nuclear family in Ziegler's new play.
  -- (CHAMBER MUSIC) Pavel Haas Quartet may be a mite too passionate in play for its own good.
  -- (THEATER) ACT/SF revives "Elektra," with Olympia Dukakis.
  -- (BALLET) A menacing and seemingly invincible Dracula dominates at the Washington Ballet.
  -- (MUSIC, VARIOUS) A Salonen week, capped by a sensational "Wozzeck" in a new type of performance.

  -- (BALLET) A heartening renaissance of quality ballet in San Jose after the turmoil of last year.
  -- (PLAYER PIANO) Ear-opening rhythms you've never heard live: The Nancarrow centennial at Berkeley.
  -- (OPERA) Wagner's "Lohengrin" combines the magical savior-knight with astute psychological insights and disaster.
  -- (DANCE) Lines Ballet's new "Constellation" features novel illuminated spheres and 10 nimble dancers.
  -- (SYMPHONY) SF Symphony unearths Prokofiev film score celebrating Ivan the Terrible----or Stalin.
  -- (OPERA) Heggie's opera "Moby-Dick," after Melville, is a must-hear modern work of our times.
  -- (SYMPHONY) Edmund Campion blends electronics and orchestra for new hall's shake-down cruise.
  -- (SYMPHONY) Paul Dresher's concerto premiere offers a whale of a string instrument.
  -- (CHORUS) Chanticleer, the unaccompanied all-male chorus, peruses seven centuries impeccably.
  -- (SYMPHONY) The precarious boldness of Shostakovich, his covert themes, and evading arrest in the USSR.
  -- (SYMPHONY) Recent programmatic music closes out Cabrillo, with views of Dionysus, a Persin legend, Miro, the North Star.
  -- (CHAMBER MUSIC) In 10th season, Music at Menlo (Park) has come of age.
  -- (THEATER) A realistic "War Horse" takes center stage, and you forget it's mechanical.
  -- (OPERA) New Mexico's high range challenges sopranos and lush romantic operas alike.
  -- (OPERA) Coloratura, swash-buckling drama in Rossini's drawn-out "Maometto II," in Santa Fe
  -- (OPERA) A stunning compressed psychodrama in Santa Fe Opera's "King Roger."
  -- (SYMPHONY) MacMillan's 'Apocalypse' was a climax, not the end of the world, at Cabrillo's 50th.
  -- (SYMPHONY) Cabrillo surprises again: A multi-media, multi-woman production premiered.
  -- (OPERA) A wild, wacky, bawdy, satirical pair of one-act operas in El Cerrito ring the bell.
  -- (THEATER) Sha Sha Higby's one-woman show of theater, dance, art.
  -- (SYMPHONY) Double-barreled concerto stars Bell and Grimaud ring out a Napa Valley festival.
  -- (OPERA) Don't dispatch "Postcard from Morocco" to the dead-letter office; it's an engaging farce/vehicle for emerging singers.
  -- (CONTEMPORARY) A sold-out house for an all-Cage concert of fun, whimsey, rude noises, and intriguing concepts.
  -- (SYMPHONY-CHORUS) Bach's B Minor Mass everywhere. But in S.F., with period instruments.
  -- (THEATER) Victor Hugo's “Les Misérables” returns to the S.F. stage, vibrant as ever.
  -- (THEATER) Yes, a musical and modern minstrel show at ACT: "Scottsboro Boys."
  -- (OPERA)   "Nixon in China:"  Arguably the longest-lasting, most popular late-20th-century opera. Finally in San Francisco!
  -- (OPERA) Ever heard the Mad Hatter and Cheshire Cat sing? It's been "Alice in Wonderland" in St. Louis.
   -- (THEATER) Eve Ensler's kaleidoscopic drama about teen girls grappling with life, at the Berkeley Rep.
  -- (SYMPHONY-CHORUS) Ethereal spatial sounds, a gruesome death-camp drama, and Beethoven's Ninth end the season.
  -- (SYMPHONY-OPERA) "Bluebeard's Castle" "almost staged" at the S.F. Symphony, under MTT's baton.
  -- (DANCE-THEATER) Joe Goode's latest show packs it all in: theater, dance, song, live music, video.
   -- (THEATER) Another spooky, funny play from McDonagh, "Behanding in Spokane."
  -- (THEATER) A skilful blending of Maya and ancient-Greek cultures in the play "Bruja."
  -- (SYMPHONY)  Pianist Yuja Wang, a San Francisco favorite, tackles Rach 3, brings down the house.
  -- (SYMPHONY) Nostalgia and romanticism prevail  with Mahler, the "Pastoral" and Schnittke at the S.F. Symphony.
  _-- (THEATER) Is Beckett's "Endgame" simple? Profound? Realistic? Existential? Eternal questions remain.
  -- (SYMPHONY)  NY Philharmonic on tour: Magnus Lindberg provides the Finnish, but there's a great Tchaikovsky conclusion. 
  -- (CHAMBER MUSIC) The ever-innovative Kronos Quartet in new and recent music from Vietnam and the Arctic-Inuit tradition.
  -- (SYMPHONY) An admirable all-French program---but why on Cinco de Mayo, when the Mexicans had defeated the French?
  -- (BALLET) "Don Quixote" may not retain much Cervantes, but nowhere will you get more dance all evening long.
  ---  (SYMPHONY) A Berkeley Symphony premiere on women of faith---and a surprise male conductor.
  -- (SYMPHONY) Los Angeles' Philharmonic  pours out a wealth of Schubert with guests.
  -- (THEATER) Magic Theatre's new play resonates with existential family drama. 
   -- (THEATER) Intriguing new play, "Aliens," in social critique: We cannot cope, we cannot adapt.
    -- (THEATER) The comedy "Maple and Vine" says, just forego those portable electronics, and it's a trip to the 1950s.
    -- (DANCE) Lines' dancers shine, but the second time around, "Squinches" dulls.
    -- (THEATER) Berkeley Rep's 'Red' is a talky two-man show about painter Mark Rothko.
    -- (OPERA) God gets injured, composer Wold takes the stage, and 'Certitude and Joy' is saved from disaster.

   -- (BALLET) A troupe takes us to three strange places, poles apart. Three poles? Sure, it's just the versatile  S.F. Ballet at work.
   -- (BALLET) Edwaard (sic) Liang creates a maarvelous (sic) new piece on Rachmaninoff for the S.F. Ballet.
   -- (BALLET) Menlowe, a new ballet company on the S.F. Peninsula, soaks up talent from all over to fill the bill.
    -- (SYMPHONY) S.F. Symphony readies for the NY tour with four moderns, including Bates and Adams premieres.
   -- (BALLET) S.F. Ballet's 'Romeo' features two stellar ballerinas from opposite ends of the earth as Juliet.
   -- (SYMPHONY) Life too structured? S.F. Symphony has the antidote, via John Cage's "Song Book" guideposts.


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